Thesis Default Fonts | Visual Preview | Google WebFonts

Each variant has five completely different sets of numerals: in the normal font are hanging figures (mediaeval or old-style figures, for use with lower-case text). Lining figures are in the small-cap fonts. (Lining figures are the same height as capital letters.) In the expert fonts are tabular figures (similar to lining figures, but on the same widths to allow the setting of aligning columns of numerals), plus superior and inferior figures for making fractions.

One of the cleanest fonts is Helvetica. If I'm not mistaken, that's the font of YA.

The commands discussed above change font in the body text, math mode, and headings (including bibliography), but have no influence on the fonts in table of contents (ToC):


Download thesis sans Fonts - Search Free Fonts

To ensure proper conversion to .pdf format, disquisitions must use one of the following fonts:

Third, it is important that you know whether your professor wants you to use a formal or informal font. The formal fonts that most thesis writers use are Arial and Times New Roman. These are the standard styles for any professional document texts. If there are not requirements with regards to fonts, then you can choose any styles that you like.


The Thesis superfamily was first published in 1994 as part of the FontFont collection, and became part of the LucasFonts type library in 2000. The family was conceived as a versatile typographic system of ambitious scope. It grew out of a dissatisfaction with the limited range of good typefaces available for corporate identity projects. Thesis aims to fill that gap by providing the user with three compatible styles – , and – in an optically harmonious range of eight weights, including real italics for each weight. The Thesis superfamily was first published in 1994 as part of the FontFont collection, and became part of the LucasFonts type library in 2000. The family was conceived as a versatile typographic system of ambitious scope. It grew out of a dissatisfaction with the limited range of good typefaces available for corporate identity projects. Thesis aims to fill that gap by providing the user with three compatible styles – , and – in an optically harmonious range of eight weights, including real italics for each weight.